Introduction: A Ticket to the Boneyard (Matthew Scudder #8) The streets of New York are never safe, but the release of James Leo Motley, a psychopath who went down swearing revenge on Matt Scudder on all who knew him, means death is out there looking for a victim. No-one is safe - friends, lovers or just those unfortunate enough to share the same name.View Details>

Introduction: A Stab in the Dark (Matthew Scudder #4) Louis Pinell, the recently apprehended "Icepick Prowler," freely admits to having slain seven young women nine years ago -- but be swears it was a copycat who killed Barbara Ettinger Matthew Scudder believes him. But the trail to Ettinger's true murderer is twisted, dark and dangerous...and even colder than the almost decade-old corpse the p.i. is determined to avenge.View Details>

Introduction: Time to Murder and Create (Matthew Scudder #2) Small-time stoolie, Jake "The Spinner" Jablon, made a lot of new enemies when he switched careers, from informer to blackmailer. And the more "clients, " he figured, the more money - and more people eager to see him dead. So no one is surprised when the pigeon is found floating in the East River with his skull bashed in. And what's worse, no one cares - except Matthew Scudder. The ex-cop-turned-private-eye is no conscientiouView Details>

Introduction: In the Midst of Death (Matthew Scudder #3) Bad cop Jerry Broadfield didn't make any friends on the force when he volunteered to squeal to an ambitious d.a. about police corruption. Now he'saccused of murdering a call girl. Matthew Scudder doesn't think Broadfield's a killer, but the cops aren't about to help the unlicensed p.i. prove it -- and they may do a lot worse than just get in his way.View Details>

Introduction: In the era before he created moody private investigator Matthew Scudder, burglar Bernie Rhodenbarr, sleepless spy Evan Tanner, and the amiable hit man Keller&mdashand years before his first Edgar Award&mdasha young writer named Lawrence Block submitted a story titled "You Can't Lose" to Manhunt magazine. It was published, and the rest is history. One Night Stands and Lost Weekends is a sterling collection of short crime fiction and suspense novelettes penned between 1958 and 1962 by aView Details>

Introduction: Hit Me (Keller #5) A man named Nicholas Edwards lives in New Orleans renovating houses, doing honest work and making decent money at it. Between his family and his stamp collection, all his spare time is happily accounted for. Sometimes it's hard to remember that he used to kill people for a living. But when the nation's economy tanks, taking the construction business with it, all it takes is one phone call to drag him back into the game. It may say Nicholas Edwards on his driver'View Details>

Introduction: Hit and Run (Keller #4) Keller's a hit man. For years now he's had places to go and people to kill. But enough is enough. He's got money in the bank and just one last job standing between him and retirement. So he carries it out with his usual professionalism, and he heads home, and guess what? One more job. Paid in advance, so what's he going to do? Give the money back?In Des Moines, Keller stalks his designated target and waits for the client to give him the go-ahead. And oneView Details>

Introduction: Hit Parade (Keller #3) Keller is friendly. Industrious. A bit lonely, sometimes. If it wasn't for the fact that he kills people for a living, he'd be just your average Joe. The inconvenient wife, the troublesome sports star, the greedy business partner, the vicious dog, he'll take care of them all, quietly and efficiently. If the price is right. Like the rest of us, Keller's starting to worry about his retirement. After all, he's not getting any younger. (His victims, on View Details>

Introduction: Hit List (Keller #2) Keller is a regular guy. He goes to the movies, works on his stamp collection. Call him for jury duty and he serves without complaint. Then every so often he gets a phone call from White Plains that sends him flying off somewhere to kill a perfect stranger. Keller is a pro and very good at what he does. But the jobs have started to go wrong. The realization is slow coming yet, when it arrives, it is irrefutable: Someone out there is trying to hit the hit man. Keller, GView Details>

Introduction: Hit Man (Keller #1) Keller is an assassin – he is paid by the job and works for a mysterious man who nominates hits and passes on commissions from elsewhere. Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite. But then one job goes wrong in a way Keller has never imagined and it leaves himView Details>